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I gotta have that "Hang on Sloopy."

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R @recordstoreguy

You can never go wrong with The McCoys' 1965 chart-topper "Hang On Sloopy". To help track down the right sound for you, what part of it are you drawn to most: that upbeat mid-sixties garage-rock crunch, or the rolling rhythm-and-blues party groove underneath it?

Behind the suggestions 2 sources

These sources informed this turn. A musical connection is a suggestion, not a guarantee of fit.

@jonamsden

Both? Can I have more of both?

R @recordstoreguy

That sweet spot where garage-rock fuzz meets a swinging rhythm-and-blues party groove is one of the most exhilarating corners of mid-sixties rock and roll. Here are three tracks that refuse to separate the two. Do any of these hit that balance of grit and bounce for you, or would you like to steer toward the wilder frat-rock stompers next?

TrackBo Diddley garage stomp

I Want Candy

The Strangeloves

Written and recorded in 1965 by the exact songwriter-producer team behind The McCoys' "Hang On Sloopy"—Bob Feldman, Jerry Goldstein, and Richard Gottehrer—this track welds a syncopated Afro-Cuban Bo Diddley beat directly to raw, ecstatic garage-rock shouting.

TrackHigh-octane Detroit soul-rock

Devil with a Blue Dress On / Good Golly Miss Molly

Mitch Ryder & The Detroit Wheels

Released in 1966, this high-energy medley retools a 1964 Motown single by Shorty Long with blistering garage guitars, frantic drumming, and an unstoppable dance-party momentum.

TrackFrat-rock dance freakout

Nobody But Me

The Human Beinz

This 1967 recording by Ohio garage rockers The Human Beinz took a 1962 Isley Brothers soul number and supercharged it with crunchy fuzz guitar, relentless dance beats, and breathless call-and-response vocals.

Behind the suggestions 6 sources

These sources informed this turn. A musical connection is a suggestion, not a guarantee of fit.

@jonamsden

I know all of these. Surprise me!

R @recordstoreguy

Fair enough! If the radio staples are familiar terrain, let us dig deeper into the crates where that R&B swing meets raw teenage racket. Here are three rowdy garage cuts that capture that exact collision. Do any of these hit that rawer, unruly edge for you, or would you like to wander outside the US into mid-sixties UK freakbeat next?

TrackEast L.A. frat-party wildness

Farmer John

The Premiers

In 1964, East Los Angeles garage outfit The Premiers transformed a 1959 R&B tune by Don and Dewey into an unhinged basement stomp, packing it with raucous call-and-response vocals and screaming party overdubs that feel like a live dance hall crashing through the speakers.

TrackMidwestern fuzz-blues drive

Who Do You Love?

The Woolies

Recorded in 1966 by Lansing, Michigan group The Woolies, this regional favorite takes Bo Diddley's primal 1956 rhythm and charges it with stinging fuzz guitar, howling harmonica, and a gritty garage-rock bounce.

TrackFast-and-furious garage R&B

Diddy Wah Diddy

The Remains

Released as a single in 1966, Boston garage heavyweights The Remains supercharged the Bo Diddley and Willie Dixon classic into a blistering, high-speed raveup led by Barry Tashian's fierce vocal delivery and driving rhythm work.

Behind the suggestions 7 sources

These sources informed this turn. A musical connection is a suggestion, not a guarantee of fit.